Raised in a music-friendly home — growing up with piano lessons and a public address system in the living room to practice Patsy Cline on — Shedd found punk rock as a teen and morphed into a singer-songwriter wrestling with a love of distortion. Also a fan of artists that drape their vocals in various shrouds (My Bloody Valentine, Cocteau Twins, The Jesus & Mary Chain), Shedd decided that she never really wanted her vocals up front, an edict that permeated her previous recordings. Now, with Cigarettes & Smoke Machines, Shedd lets go and we benefit from vocal performances that establish the arresting emotional core of her latest record.